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Home > Arts&Culture

Park Chan-wook’s 'Can't Be Helped' Receives 9-Minute Standing Ovation at Venice Film Festival

Shin Yeju / Updated : 2025-08-31 05:30:48
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VENICE, Italy – A wave of acclaim swept through the Lido as a cinematic titan reclaimed the spotlight. Visionary director Park Chan-wook's latest film, 'Can't Be Helped,' made a triumphant debut at the 82nd Venice Film Festival, receiving a thunderous and prolonged nine-minute standing ovation that left the audience at the historic Sala Grande theater in awe. This remarkable reception marks a significant moment for Korean cinema on the world stage, with Park's signature blend of dark humor and profound humanity captivating festival-goers.

The film, a poignant yet hilarious black comedy, delves into the modern-day struggles of Man-su, an everyman played with masterful precision by actor Lee Byung-hun, as he navigates the humiliating and often absurd world of job hunting after being laid off. His journey is interwoven with the quiet support of his wife, Mi-ri, portrayed by the talented Son Ye-jin. Together, their performances anchor a film that manages to elicit both uproarious laughter and empathetic sighs from the audience.

The buzz began long before the lights went down. Outside the theater, a massive crowd of fans, many chanting "Lee" in a nod to Lee Byung-hun's global fame from hits like 'Squid Game,' eagerly awaited the arrival of the cast and director. Lee, a seasoned veteran, graciously engaged with fans, signing autographs and taking photos. The palpable excitement underscored the crossover appeal of Korean entertainment, with posters for his 2010 film 'I Saw the Devil' seen amongst the throngs—a testament to his enduring legacy.

Inside, the energy was electric. The film's premiere, a cornerstone of the festival's competitive lineup, held a captive audience from its opening scene. The screenplay, praised for its razor-sharp wit, resonated deeply, drawing laughter at the absurdity of Man-su's predicament while never losing sight of the emotional core of his struggle. When the credits finally rolled, the theater erupted. The nine-minute ovation was not merely a polite gesture but a genuine and heartfelt tribute to the film's creative ambition and emotional depth.

A visibly moved Park Chan-wook, joined by his leading stars, embraced his cast on stage, a quiet moment of shared success in the midst of the roaring applause. Speaking after the premiere, Park shared a humble sentiment: "This was the first time we showed the film to an audience, and everyone who saw it told me they found it very entertaining. I genuinely hope their words are sincere."

'Can't Be Helped' now enters the final stretch of the festival, poised as a serious contender for the coveted Golden Lion award. It finds itself in esteemed company, competing against films like Yorgos Lanthimos's 'Bugonia' and Guillermo del Toro's 'Frankenstein.' The overwhelmingly positive reception suggests it has already won a far more important prize: the hearts of its first audience. The journey from unemployment to critical acclaim appears to be one worth watching, with the global film community holding its breath to see if Park Chan-wook will add another prestigious award to his storied career.

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Shin Yeju
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